59 “Did You Know” Facts That Are Almost Hard to Believe

Finally, explanations for things you never stopped to think about twice.

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MicroStockHub/Getty Images We bet you didn’t know these“Did you know” facts are everywhere, and you might start to hear some over and over again, on the back of a Snapple cap or something. Yes, you know that Napoleon wasn’t really that short and that frogs don’t drink. But, for your brain-food pleasure, here’s a plethora of “did you know” facts that you probably haven’t heard before. And for more cool trivia, here are 100 interesting facts about basically everything. Plus, Netflix has you covered on double the trivia fun with their interactive trivia game—Triviaverse.

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52 Fun Facts About Dogs

Find out why your dog acts the way he does.

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IzaLysonArts/Getty ImagesThere are so many interesting facts to learn when it comes to man’s best friend. With all the love, cuddles, and companionship these four-legged family members give us, the least we can do is learn a little bit more about what makes them so special—not that we need any more proof. Whether you have a small dog or a large dog, there are so many facts about dogs that go beyond just their behavior and facial expressions. While the list could go on and on, these are some of our favorites.

The “smell” center of a dog’s brain is 40 times larger than yours

Dogs can smell thousands of times better than humans. Their noses have millions more scent receptors—for example, a human nose averages five million, while a Dachshund’s nose has 125 million—making dogs useful for sniffing out drugs, dead bodies, bed bugs, explosives, and other things dogs can smell that humans can’t.

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11 Things You Didn’t Know About Vincent Van Gogh’s ‘The Starry Night’

With its seductive swirls, intoxicating composition, and enchanting color palette, Vincent van Gogh’s The Starry Night is one of the world’s most beloved and recognizable works of art. But there’s much more to this Starry Night than you might have known.

After experiencing a mental breakdown in the winter of 1888, Van Gogh checked himself in to the Saint-Paul de Mausole asylum near Saint-Rémy-de-Provence in the south of France. The view became the basis of his most iconic work. Van Gogh wrote in one of his many letters to his brother Theo, “this morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big.”

Art historians have determined that Van Gogh took some liberties with the view from his second-story bedroom window, a theory supported by the fact that the studio in which he painted was on the building’s first floor. He also left out the window’s less-than-welcoming bars, a detail he included in another letter to Theo. In May 1889, he wrote, “through the iron-barred window I can see an enclosed square of wheat, a prospect like a Van Goyen, above which, in the morning, I watch the sun rise in all its glory.”

From his window, Van Gogh wouldn’t have been able to see Saint-Rémy. However, art historians differ on whether the village presented in The Starry Night is pulled from one of Van Gogh’s charcoal sketches of the Provençal town or if it is actually inspired by his homeland, the Netherlands.

The dark spires in the foreground are cypress trees, a type often associated with cemeteries and death. This connection gives a special significance to this Van Gogh quote: “Looking at the stars always makes me dream. Why, I ask myself, shouldn’t the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star.”

The Starry Night that is world-renowned was painted in 1889. But the year before, Van Gogh created his original Starry Night, sometimes known as Starry Night Over The Rhone. After his arrival in Arles, France, in 1888, Van Gogh became a bit obsessed with capturing the lights of the night sky. He dabbled in its depiction with Café Terrace on the Place du Forum, before daring to make his first Starry Night draft with the view of the Rhone River.

Surveying the works that would become known as his Saint-Paul Asylum, Saint-Remy series, the artist wrote to Theo, “All in all the only things I consider a little good in it are the Wheatfield, the Mountain, the Orchard, the Olive trees with the blue hills and the Portrait and the Entrance to the quarry, and the rest says nothing to me.”

In 1985, UCLA art historian Albert Boime compared Starry Night to a planetarium recreation of how the night sky would have appeared on June 19, 1889. The similarities were striking, and suggested that Van Gogh’s “morning star,” described in his letter to his brother, was the planet Venus.

Belgian artist and collector Anna Boch purchased the far lesser-known The Red Vineyard at Arles for 400 francs at the Les XX exhibition in 1890. Van Gogh had completed it in November 1888, before the breakdown that sent him to the asylum. Today this historic painting is on display at the Pushkin Museum of Fine Arts in Moscow. But there is evidence that Van Gogh sold a second painting. In his biography of the artist, historian Marc Edo Tralbaut mentioned a letter from Theo saying one of Van Gogh’s self portraits had found its way to a London art dealer.

Following Van Gogh’s death in 1890, Theo inherited all of his brother’s works. But when he died in the fall of 1891, his wife Johanna Gezina van Gogh-Bonger became the owner of The Starry Night and scads of other paintings. It was Van Gogh-Bonger who collected and edited the brothers’ correspondence for publication, and she is credited with building Van Gogh’s posthumous fame, thanks to her tireless promotions of his work and exhibitions.

In 1900, Van Gogh-Bonger sold The Starry Night to French poet Julien Leclerq, who soon sold it to Post-Impressionist artist Émile Schuffenecker. Six years later, she bought the painting back from Schuffenecker so she could pass it along to the Oldenzeel Gallery in Rotterdam.

Bliss was the daughter of a textile merchant who used her grand wealth to become one of the foremost collectors of modern art in the early 20th century. Alongside Mary Quinn Sullivan and Abby Aldrich Rockefeller, she helped found Manhattan’s Museum of Modern Art. Following her death in 1931, the Lillie P. Bliss Bequest turned much of her collection over to MoMA, creating the nucleus of the museum’s collection in the midst of the Great Depression. In 1941, three pieces from Bliss’s impressive collection were sold so that MoMA could acquire Starry Night.

In this Avi Ofer-animated TED-Ed video, Natalya St. Clair explains how Van Gogh’s painting is an accurate depiction of turbulence, “one of the most supremely difficult concepts” for physics to explain.

A version of this story was published in 2015; it has been updated for 2023.

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